![]() If you don’t already receive our regular roundup of art and design news via email, please sign up here. Thousands of new, high-quality pictures added every day. To follow us on X (Twitter): Sign up to the Art Weekly newsletter Find Fantasy Landscape stock images in HD and millions of other royalty-free stock photos, illustrations and vectors in the Shutterstock collection. Bellini sets this vision against a real north Italian landscape, whose forbidding city walls and rocky hillsides imply a barren, brutal reality, redeemed by this gift of blood. He stands risen from the tomb, a transformed being, no longer mortal but godlike: yet still in carnal form, dripping blood from his wounded side into a chalice held by an angel. Here Bellini depicts Christ’s body with sensual feeling, making each sinew and bone seem real. It was believed to be literally present in the wine at mass and believers were encouraged to meditate intimately on the physical suffering and death of Christ, the tragic human fragility of his bleeding body. The blood of Christ was at the heart of late medieval Europe’s dominant religion. The Blood of the Redeemer by Giovanni Bellini, c 1465 Sunil Gupta’s images of 80s Pride marches recall a time before commerce took over Masterpiece of the week Jarman award-winner Rehana Zaman shares earnings with the people she filmsīanksy revealed his first name in a resurfaced interview clip Singaporean-British artist Kim Lim is finally taking her place in the UK art pantheon The reopened National Museum of Women in the Arts rewrites art history The Venice Biennale’s new director was once active in neo-fascist politicsĬhinese artist Li Yuan-chia turned a barn in Cumbria into an international artists’ hub Mário Macilau’s spellbinding photos of Mozambique have won the James Barnor prize Pope.L, famed for crawling across New York in the 70s, opened his first London showĪ cartoonist started the rumour that Napoleon was short, while other painters caught his truth ![]() They are also monsters, crazy monsters.” Read the full interview What we learned “But these days there’s a counter-argument that cars are no longer progressive, and there’s something in that. “The car sped up every aspect of our society,” he says. German artist Thomas Bayrle, 86, who has opened a major retrospective of his work in Turin, talked about his longstanding fascination with the automobile. Photograph: Thomas Bayrle, Gladstone Gallery, New York and neugerriemschneider, Berlin
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